
Dying
2017

Representation Score
Excellent
2025
Director
Diego Céspedes
Runtime
108 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Diego Céspedes’ debut is a sophisticated exploration of identity during the 1980s HIV/AIDS crisis. By utilizing magical realism, the film transforms a period piece into a critique of how systemic fear sidelines vulnerable populations. It successfully shifts the focus from institutional responses to the lived experiences of a underrepresented domestic unit. The narrative structure is particularly strong in its refusal to treat queer existence as a deviation. Instead, it frames the family as a site of resilience. The film’s ability to blend the magical with the political allows it to challenge the social hierarchies of a remote Chilean mining town. While the film excels in identity politics and found family dynamics, the representation of physical disability is primarily tied to the social impact of illness. Overall, it is a profound work of empathy that prioritizes the empowerment of the oppressed.
Category Breakdown
The film centers a queer family as its primary emotional anchor rather than a subplot. It offers nuanced portrayals of transgender women and travesti identities. The narrative uses the HIV/AIDS epidemic to critique stigma towards LGBTQ individuals.
Lidia navigates a world where fluid household structures contrast with the masculine authority of a mining town. The film avoids tragic clichés by focusing on the ability to act of the family unit. It subverts patriarchal norms through non-traditional roles.
Set in northern Chile, the film provides a localized, non-Western perspective on a global crisis. It avoids a Western-centric gaze by grounding the story in specific socio-economic realities. The setting prioritizes a non-Anglo-Saxon identity.
The story prioritizes found family over traditional biological or religious structures. Magical realism is used to critique the moralizing impulses of the 1980s. It portrays social institutions as sources of misinformation and fear.
The film focuses on the social and psychological impact of the HIV/AIDS epidemic. Characters face the vulnerability of being social outcasts. It treats their struggle with dignity, avoiding the pitfalls of inspiration porn.
Present on Screen
Limited or Absent
Official Synopsis
As an unknown and deadly disease begins to spread, legend has it that it is transmitted between two men, through a simple glance, when they fall in love. While people are accusing her family, Lidia must find out whether this myth is real or not.

2017

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