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The End of April

Name: The End of April
Director: Kim Kwang-bok
Released: 2017
Duration: 120 min

Representation Score

0.8/10

Minimal

2017

Director

Kim Kwang-bok

Runtime

120 minutes

Average Rating

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New Showbiz Analysis

The film primarily serves as a localized genre piece focused on domestic stress and noise pollution. While it includes a female lead, the narrative does not engage with systemic hierarchies or storytelling that reflects multiple aspects of identity. Since the plot centers on individual psychological tension, there is limited evidence of broader cultural or social critique. The film's approach to diverse identities remains unverified due to its narrow character-driven premise. Ultimately, the work adheres to standard thriller clichés without attempting to deconstruct social or identity-based structures.

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Category Breakdown

Does The End of April have LGBTQ+ representation?

Minimal

The film does not include any representation of LGBTQ+ identities or same-sex relationships. There are no LGBTQ+ characters in the story.

How does The End of April portray gender?

Minimal

Hyun-jin is a female protagonist, but it is unclear if she plays a significant role in driving the story. The film does not show a challenge to traditional gender roles.

How racially and ethnically diverse is The End of April?

Fair

The film features a predominantly Korean cast, providing a specific cultural setting that avoids Western-centric homogeneity. However, the depth of characters who reflect more than one aspect of diversity remains unverified.

How does The End of April represent religion and culture?

Minimal

The story focuses on individual psychological tension and domestic conflict. There is no evidence of critiques related to religious structures, capitalism, or broader social institutions.

Does The End of April include disability representation?

Minimal

The protagonist experiences sleep deprivation, which may be a mental health issue. It is unclear if this condition is addressed with ability to act or used merely as a plot device.

Present on Screen

The film avoids Western-centric homogeneity by featuring a predominantly Korean cast and setting.

Limited or Absent

The narrative lacks evidence of LGBTQ+ representation or non-cisgender identities.
There is no clear indication that the female protagonist challenges traditional gender roles.
The film does not engage with broader cultural, religious, or systemic social critiques.
It is unclear if the protagonist's mental health struggles are handled with ability to act or used as a mere plot device.

Official Synopsis

Hyun-jin, moved into a worn-down apartment in a small town, has trouble sleeping at night due to the noise from her next-door neighbor.

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