
Don't Take God's Children for Wild Geese
1968

Representation Score
Fair
1975
PGDirector
Christopher Miles
Runtime
89 minutes
Average Rating
No ratings yetNew Showbiz Analysis
That Lucky Touch is a satirical film from the 1970s that uses humor to challenge established power structures. By positioning a female journalist as an intellectual observer of masculine absurdity, it disrupts traditional gender hierarchies. However, the film’s focus on European arms dealing and NATO proceedings suggests a narrow geopolitical lens that may lack racial and ethnic diversity. Ultimately, the film promotes a skeptical, individualistic worldview over traditional patriotic loyalty.
Category Breakdown
The film doesn't provide any clear representation of LGBTQ+ identities or queer subtext. It focuses on the social norms of the 1970s without highlighting any specific LGBTQ+ characters or themes.
The movie challenges traditional gender roles by focusing on a female journalist who critiques the macho culture of arms dealers and NATO officials. Her role as an observer of masculine behavior highlights the film’s feminist undertones.
The story seems centered around Western geopolitical issues involving European arms dealers. There is no evidence of non-white or non-Anglo-Saxon characters, indicating a lack of diverse racial and ethnic representation.
The film presents a critical view of Western institutions like capitalism and state power. It emphasizes individual freedom and skepticism over traditional notions of patriotism and national security.
The film does not include any characters with disabilities, neurodivergence, or chronic illnesses. These elements do not play a role in the storyline or character development.
Present on Screen
Limited or Absent
Official Synopsis
A European arms dealer meets a liberated woman journalist, who is writing a story about the ridiculous things men do with the armaments during a NATO war games meeting.

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1967
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