The film follows a traditional heteronormative structure focused on romantic tension. There are no visible non-cisnormative identities or narratives that challenge standard gendered relationships.

Mary Brooks is framed as a 'fortune hunter,' providing her with agency through her pursuit of wealth. However, her character arc remains tied to her interactions with male pilots and a male authority figure.

The story utilizes a colonial-era setting that relies on Orientalist tropes. While non-Western characters appear, the narrative remains centered on Western protagonists navigating foreign territories.

The film leans into mid-century cinematic conventions by framing non-Western cultures through exoticism. The depiction of a prince and his harem serves as a backdrop for Western adventure ideals.

The narrative does not feature any characters with visible or invisible disabilities.