You are here:

Seven Girlfriends

Name: Seven Girlfriends
Director: Paul Lazarus
Released: 2000
Duration: 99 min

Representation Score

7.5/10

Good

2000

Director

Paul Lazarus

Runtime

99 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Seven Girlfriends functions as a character-driven film that challenges conventional romantic narratives. By emphasizing the voices of women and LGBTQ+ individuals, the film moves away from traditional patriarchal storytelling. However, the film's scope is limited by a lack of visible racial diversity, which restricts the narrative's breadth. While it successfully subverts gendered expectations and explores non-traditional spirituality, it falls short in representing other key areas of diversity.

Watch this, not that →

Category Breakdown

Does Seven Girlfriends have LGBTQ+ representation?

Good

Lesbians play important roles in guiding the protagonist’s journey, providing wisdom rather than just comic relief.

How does Seven Girlfriends portray gender?

Good

Women are portrayed as independent and intellectually capable, challenging traditional gender roles and hierarchies.

How racially and ethnically diverse is Seven Girlfriends?

Limited

The social circle is relatively homogeneous, with no significant racial blending or diverse casting.

How does Seven Girlfriends represent religion and culture?

Good

The story questions traditional Western marriage ideals and explores non-traditional spiritual approaches.

Does Seven Girlfriends include disability representation?

Fair

Laura is identified as an insomniac, but it is unclear if this condition adds meaningful depth to her character.

Present on Screen

Incorporates LGBTQ+ characters as essential sources of wisdom and perspective.
Shows women who play a significant role in driving the story, intellect, and emotional complexity.
Challenges traditional Western marriage ideals and the nuclear family structure.

Limited or Absent

Lacks significant racial and ethnic diversity within the social circle.
Insomnia in Laura's character lacks clear narrative depth.
The narrative remains largely homogeneous in its social and racial makeup.

Official Synopsis

Jesse is charming, romantic, and he knows how to pop the question; he just can't face marriage. So, when he and Hannah split up during the same week that a former fiancée dies, he decides to figure things out. He visits each woman about whom he's been serious to ask what went wrong. His teen flame, an independent woman who sometimes sleeps with him, and a group of lesbians give him advice, as does Anabeth, dead but lively in his dreams. One ex remains furious, but with the help of her inventive colleague, the level-headed insomniac Laura, Jesse even gets to talk to her. It's on to Anabeth's funeral, where he'll see Hannah, and maybe grasp what has been eluding him.

How are these scores produced? →