The film lacks explicit non-cisnormative identities or same-sex romantic arcs. While the surrealist style blurs boundaries of desire, the focus stays on the mythic bond between the female protagonist and the vampire.

The narrative disrupts traditional hierarchies by centering female desire and agency. However, the patriarchal vampire remains a central catalyst, keeping the power dynamic tethered to a traditional mythic hierarchy.

Set within a stylized, Eurocentric gothic mythos, the film reflects a homogeneous, aristocratic aesthetic. There is no evidence of diverse ethnic identities or intentional color-blind casting.

The film critiques institutionalized structures by depicting nuns as captors rather than moral authorities. This use of dream-logic deconstructs the traditional 'good vs. evil' dichotomy found in Western morality.

There are no discernible depictions of physical or neurodivergent disabilities that drive the narrative or serve as significant character elements.