
The Witch
1952

Representation Score
Limited
1957
ApprovedDirector
Roger Corman
Runtime
71 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Undead is a product of its 1950s B-movie roots, adhering to the conventional structures of its time. While it slightly challenges societal norms by presenting communal and religious authority as antagonists, it lacks depth in representing diverse identities. The film relies heavily on traditional genre clichés, especially concerning gender and race. The protagonist's journey is influenced by external male figures and a Eurocentric historical perspective, limiting opportunities for diverse viewpoints or non-traditional identities.
Category Breakdown
The film does not include any LGBTQ+ characters or non-binary gender identities. It focuses on heterosexual relationships and past-life themes.
A female character leads the story, but her role is often shaped by male characters who act as psychics. She alternates between being studied and becoming a victim of superstition.
The cast is uniform and reflects the era's typical casting practices. The setting emphasizes a traditional, Eurocentric view of medieval times without intentional racial mixing.
The film criticizes organized superstition by portraying religious authority as terrifying. However, it does so using traditional horror conventions rather than a deeper systemic critique.
There is no significant portrayal of physical or neurodivergent disabilities. Hypnosis is used as a plot device rather than exploring mental health issues.
Present on Screen
Limited or Absent
Official Synopsis
Two psychics place a prostitute under hypnosis in order to learn about her past-life experiences. When they unwittingly send her back in time, she finds herself in the Middle Ages, suspected of being a witch and on the verge of being executed.

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1944

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