The film focuses on the rigid social and political structures of 18th-century Kerala. There is no evidence of non-cisnormative identities or same-sex intimacy.

Female characters within the royal household demonstrate agency by engaging in political and familial discussions. While they avoid total passivity, the film does not actively dismantle traditional hierarchies.

The production excels in ethnic authenticity by centering a predominantly Malayali cast. It avoids Western-centric casting by prioritizing local identity and regional sovereignty.

The narrative uses traditional ceremonies to establish cultural identity rather than a monolithic morality. It frames the struggle for sovereignty against oppressive, centralized political forces.

There are no visible or invisible disabilities portrayed with agency. No characters are utilized as plot devices for disability.