Ismael's Ghosts
2017
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Diversity score: 5.8 out of 10
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You Go To My Head
2017
Director
Dimitri de Clercq
Runtime
116 minutes
Average Rating
No ratings yetSynopsis
Following a mysterious car accident in the desert, Dafne suffers from post-traumatic amnesia. Jake, the first person she sees when she regains consciousness, tells her he's her husband.
Where to Watch
Diversity & Representation
Overall Score
5.1/10
Fair
Category Breakdown
LGBTQ+ Representation
The film centers on a romantic relationship between Dafne and Jake. There is no evidence of queer-coded subtext or non-cisnormative identities within the narrative.
Gender Representation
Dafne serves as a central protagonist navigating a psychological crisis. However, the plot relies on a male figure to define her identity and marital status.
Racial & Ethnic Diversity
The ensemble features a multi-ethnic cast, including actors like Omar Sarnane and Jmiaa El Hlali. This provides a textured social landscape beyond Western casting norms.
Religious & Cultural Diversity
The story focuses on individual psychological drama rather than socio-political themes. There is no evidence of systemic critiques regarding religion or Western institutions.
Disability Representation
The plot explores post-traumatic amnesia, a cognitive disability. This provides a platform to examine a character navigating a fractured perception of reality.
Strengths
- The multi-ethnic casting provides a diverse social landscape.
- The central plot offers a nuanced look at cognitive disability through amnesia.
- The film avoids Anglo-centric exclusivity in its ensemble.
Areas for Improvement
- The narrative relies on traditional gendered dynamics of protection.
- There is a lack of LGBTQ+ representation or queer-coded subtext.
- The story lacks broader socio-political or cultural deconstruction.
AI Analysis
The film offers a moderate level of representation by utilizing a multi-ethnic ensemble and centering a protagonist with a cognitive impairment. These elements disrupt typical cinematic homogeneity. However, the narrative remains largely tethered to traditional romantic thriller tropes. The reliance on conventional gender dynamics and the absence of queer-centric storytelling limit its progressive impact. Ultimately, the work provides meaningful inclusion through its cast and central premise without fully subverting established social hierarchies.
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