
Are We Dead Yet
2019
No Poster Available
2025
RDirector
Lil Rel Howery
Runtime
87 minutes
Average Rating
No ratings yetSynopsis
Four estranged friends reunite at what appears to be a typical house, But one friend has ulterior motives; he plans to rob the place and needs their help to find an antique worth a fortune. But the house is straight up haunted, and the group must squash their differences to survive the night and an insane pack of ghosts.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks explicit evidence of LGBTQ+ characters or non-heteronormative narrative arcs. The focus remains on the interpersonal dynamics of a specific group of estranged friends.
Gender Representation
Tiffany Haddish's top-billed role suggests a move away from submissive female archetypes. The comedic-horror hybrid likely utilizes character agency to subvert traditional gendered tropes.
Racial & Ethnic Diversity
The production centers a predominantly Black ensemble, led by Lil Rel Howery and Tiffany Haddish. This casting choice disrupts white-centric horror tropes by placing Black agency at the heart of the survival narrative.
Religious & Cultural Diversity
The heist premise engages with themes of wealth and systemic acquisition. However, there is no specific evidence of critiques regarding Western institutions or moral relativism.
Disability Representation
There is no information available regarding the inclusion of characters with visible or invisible disabilities.
Strengths
Areas for Improvement
AI Analysis
Haunted Heist succeeds in diversifying the horror genre by centering a predominantly Black ensemble. By placing these voices in roles of survival and agency, the film actively challenges the historical marginalization of non-white protagonists in horror cinema. While the racial representation is a significant strength, the film's overall impact is limited by a lack of verifiable data regarding LGBTQ+ or disability representation. The narrative focus appears concentrated on the immediate group dynamics and the heist plot. Ultimately, the film serves as a meaningful step toward community-driven storytelling, even if it does not yet demonstrate broad intersectional inclusion across all identity categories.

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