You are here:

Are We Dead Yet

Name: Are We Dead Yet
Director: Fredi 'Kruga' Nwaka
Released: 2019
Duration: 94 min

Representation Score

4.5/10

Fair

2019

Director

Fredi 'Kruga' Nwaka

Runtime

94 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Are We Dead Yet stands out through a diverse cast that challenges the demographic expectations of the horror-comedy genre. The multicultural cast helps break the historical homogeneity typically associated with secluded castle settings. However, the film's representation is uneven. While racial diversity is a clear strength, the narrative lacks visible evidence of LGBTQ+ or disability representation. Gender roles remain ambiguous, as it is unclear whether female characters have true ability to act or merely fill genre roles. Ultimately, the film offers a moderately progressive profile, succeeding in disrupting racial norms but failing to provide verifiable depth in other key areas of identity and representation.

Watch this, not that →

Category Breakdown

Does Are We Dead Yet have LGBTQ+ representation?

Limited

The film does not include any explicit LGBTQ+ characters or narratives. The story follows typical character dynamics within its heist and horror framework.

How does Are We Dead Yet portray gender?

Fair

Jessica-Jane Stafford holds a prominent role, indicating she plays a significant part in driving the story. However, it is unclear whether the film challenges gender hierarchies or relies on established genre formulas.

How racially and ethnically diverse is Are We Dead Yet?

Good

The cast includes a mix of actors such as Faisal Mohammed and Khali Best, which breaks the traditional white-centric mold often seen in gothic horror settings.

How does Are We Dead Yet represent religion and culture?

Fair

By focusing on criminals operating outside mainstream norms, the film questions traditional views of law and order. However, the depth of any systemic critique remains uncertain.

Does Are We Dead Yet include disability representation?

Minimal

There is no documented evidence of characters with visible or invisible disabilities in this production.

Present on Screen

The ensemble features a high degree of racial diversity, including actors like Faisal Mohammed and Khali Best.
The multicultural casting disrupts the traditional white-centric clichés often found in gothic horror settings.
The premise of characters operating on the fringes of legality offers potential for social critique.

Limited or Absent

There is a lack of visible LGBTQ+ representation or non-straight-centered narratives.
The film provides no documented evidence of characters with visible or invisible disabilities.
Gender roles remain ambiguous and may simply adhere to established genre formulas.

Official Synopsis

A robbery goes horrifyingly wrong when five have a go criminals are forced to take refuge from the police in an old castle. What starts out as 'one last job' quickly becomes a hilarious fun filled journey of ghostly misfortunes.

How are these scores produced? →