
Já Não Se Faz Amor Como Antigamente
1976

1977
Director
Giovanni Narzisi
Runtime
90 minutes
Average Rating
No ratings yetSynopsis
A film in 5 segments. The first is about a trafficker who takes a German tourist to an illegal sex market in a working-class neighborhood. The second involves an elderly man courting a young adult film star. The third, a thief seduces a man's wife. The fourth involves an Italian immigrant in Germany who is fired and subsequently offered work as a porn actor. Finally the last segment involves a baron who convinces his wife into a swinging.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film explores unconventional sexual dynamics and the disruption of heteronormative domesticity. However, it lacks explicit depictions of queer-coded characters or non-cisnormative identities with narrative agency.
Gender Representation
Women appear with sexual agency within transactional power dynamics, such as the adult film star. Yet, the narrative frequently relies on the era's typical male gaze.
Racial & Ethnic Diversity
The film provides a critique of socioeconomic barriers through an Italian immigrant's experience in Germany. Character depth remains limited, often leaning toward working-class archetypes.
Religious & Cultural Diversity
The narrative deconstructs traditional morality by presenting a cynical view of marriage and social class. It favors a morally relativistic worldview over cohesive institutional standards.
Disability Representation
There is no evidence of characters with visible or invisible disabilities being portrayed as central to the narrative arcs.
Strengths
Areas for Improvement
AI Analysis
Giovanni Narzisi’s film functions as a transgressive period piece that challenges bourgeois social mores. It finds its footing by exploring the social underbelly, specifically regarding migration and sex work. While the film avoids modern intersectional frameworks, it succeeds in critiquing aristocratic stability and traditional morality. It uses a commercialized genre lens to examine survival and situational ethics. Ultimately, the work is more focused on sexual availability and class disparity than on identity-based representation or systemic leadership.

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