The film contains no visible LGBTQ+ characters or non-cisnormative identities. The narrative focuses entirely on the heterosexual comedic duo and the central mystery figures.

The story centers on the male Abbott and Costello duo, reinforcing traditional mid-century hierarchies. Female characters occupy limited, conventional roles that do not challenge masculine dominance.

Casting remains largely homogeneous, reflecting 1949 cinematic norms. The character Swami Talpur uses exoticism as a comedic plot device rather than providing nuanced depth or agency.

The film operates within a traditional Western framework of justice and mystery-solving. It lacks systemic critiques or engagement with non-Western perspectives.

Meaningful representation of neurodivergence is absent. The character Freddie Phillips relies on a dim-witted archetype used primarily as a vehicle for slapstick comedy.