The film lacks LGBTQ+ characters or non-cisnormative identities. The central conflict is rooted in a heteronormative marriage, with no queer subtext or critiques of heteronormativity present.

Detective Judith Lebrun provides a female figure in a position of professional authority. However, the narrative tension primarily focuses on the male protagonist's psychological unraveling and domestic life.

The film depicts a relatively homogeneous Belgian social environment. There is no evidence of significant racial or ethnic diversity within the primary cast or the setting.

The story adheres to conventional Western narrative structures. It uses the breakdown of the nuclear family as a plot device rather than a critique of religion or capitalism.

There is no discernible representation of physical, sensory, or neurodivergent disabilities. Psychological instability is treated as a plot-driven character trait rather than an exploration of disability.