
I Work at the Cemetery
2022

2023
Director
Ilya Malakhova
Runtime
114 minutes
Average Rating
No ratings yetSynopsis
Kira is 36. She works at the Pulkovo Airport call centre and lives with her younger sister Vera and her daughters. A couple years ago, their mother kicked the sisters out of the house and later disappeared. It's time for Kira to accept that her mother is dead and move on: get the death certificate, claim her inheritance and start living separately from her sister and nieces. A new life awaits her. But Kira does not want to change anything and dreams only of her mother coming back.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks any visible LGBTQ+ characters or non-cisnormative identities. The narrative focuses on traditional familial structures without addressing heteronormativity.
Gender Representation
The story centers on female agency and the domestic struggles of women. Kira’s journey toward independence highlights female self-determination, though it lacks a deeper subversion of gender hierarchies.
Racial & Ethnic Diversity
There is no information regarding the racial or ethnic composition of the cast. The setting suggests a potentially homogeneous environment typical of the regional drama genre.
Religious & Cultural Diversity
The plot explores the breakdown of the traditional nuclear family through themes of abandonment. It functions as a personal melodrama rather than a systemic critique of cultural institutions.
Disability Representation
No characters with visible or invisible disabilities are mentioned in the narrative. The focus remains strictly on the emotional and legal aftermath of familial disappearance.
Strengths
Areas for Improvement
AI Analysis
Hi, Mom is a character-driven drama that prioritizes the internal emotional landscape of its female protagonists. It succeeds in centering female agency through Kira's struggle for autonomy and independence following her mother's disappearance. However, the film lacks intersectional depth. The narrative focuses on individual emotional resolution and personal melodrama rather than disrupting broader social, racial, or cultural hierarchies. Ultimately, while the film provides a platform for female-centric storytelling, it lacks the explicit markers of diverse representation needed to move beyond a baseline domestic drama.

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