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All the Moons
2020
Director
Igor Legarreta
Runtime
102 minutes
Average Rating
No ratings yetSynopsis
During the final throes of the last Carlist war, a little girl is rescued from an orphanage by a mysterious woman who lives deep inside the forest.
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Diversity & Representation
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film centers a non-familial bond between a woman and a child, which disrupts traditional nuclear family expectations. However, there is no explicit evidence regarding the sexual orientation or gender identity of the characters.
Gender Representation
The narrative shifts agency away from patriarchal wartime structures toward a female-centric dynamic. By positioning a mysterious woman as a protector, the film presents women as autonomous agents rather than passive victims.
Racial & Ethnic Diversity
Set during the Carlist Wars, the film likely reflects the regional demographics of the era. There is no evidence of significant intersectional casting or a diverse, non-homogeneous portrayal.
Religious & Cultural Diversity
The story engages with themes of institutional critique by contrasting the orphanage with the forest. This framing potentially questions the restrictive nature of traditional Western social institutions.
Disability Representation
The narrative provides no mention of characters possessing visible or invisible disabilities.
Strengths
- The film disrupts patriarchal wartime structures by centering a female protector.
- The narrative challenges traditional institutional roles through its critique of the orphanage system.
- It avoids conventional depictions of women as passive victims of conflict.
Areas for Improvement
- The film lacks explicit identifiers for LGBTQ+ characters or identities.
- There is no evidence of significant racial or intersectional casting diversity.
- The narrative does not address disability representation.
AI Analysis
All the Moons offers a moderate disruption of social hierarchies by centering female agency and questioning institutional stability. It moves away from traditional wartime tropes by focusing on a woman acting as a savior outside of established social orders. However, the film lacks explicit intersectional markers. While it challenges domestic norms through its central relationship, it does not provide clear identifiers for queer identity or broader racial diversity beyond the historical Spanish context. Ultimately, the film occupies a middle ground, providing meaningful thematic shifts without deep, explicit representation of marginalized identities.
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