The film lacks LGBTQ+ characters or narratives. It adheres to traditional horror tropes centered on supernatural phenomena rather than identity-based exploration.

Kanaya serves as a female-centric protagonist, but her agency is limited. She moves from domestic conflict to becoming a subject of peril within a haunted hospital.

The production features a culturally homogeneous Indonesian cast. It maintains regional authenticity but does not actively subvert or promote specific racial hierarchies.

The story relies on localized Indonesian urban legends and spiritual frameworks. It reinforces traditional familial structures as the primary source of narrative conflict.

There is no evidence of characters with disabilities portrayed with agency. The central legend risks using impaired mobility as a frightening aesthetic device.