
Les Filles au Moyen-Âge
2016

2020
Director
Annemarie van de Mond
Runtime
90 minutes
Average Rating
No ratings yetSynopsis
12-year-old Jackie has made Amsterdam's Rijksmuseum, where her mom works, her second home. While wandering around after hours, Oopjen from Rembrandt's famous painting suddenly comes to life. It seems she is looking for her long lost sister. Jackie is used to solving other people's problems and decides to take Oopjen home, so they can go look for her sister. For the woman from the Golden Age, this modern world, its customs and appliances are a great adventure. And Jackie, who doesn't really have any friends at school, finally gains a true BFF.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film focuses on a platonic friendship between a modern girl and a historical figure. It lacks explicit depictions of LGBTQ+ identities or same-sex romantic pairings.
Gender Representation
The story centers on female agency and companionship. Jackie acts as a primary problem-solver, prioritizing female intellect and friendship over traditional masculine-driven plot structures.
Racial & Ethnic Diversity
Set in Amsterdam, the film reflects a culturally specific European setting. The cast appears to align with local demographics without specific evidence of diverse racial casting.
Religious & Cultural Diversity
The narrative uses a clash of eras to critique modern customs. Oopjen’s perspective highlights the absurdity of contemporary social norms through a Golden Age lens.
Disability Representation
There is no mention of characters navigating physical, neurodivergent, or mental health challenges within the narrative.
Strengths
Areas for Improvement
AI Analysis
Jackie & Oopjen is a character-driven fantasy that explores intergenerational connection and female agency. The film succeeds in transforming a static historical subject into an active participant in a modern journey, emphasizing female-centric problem-solving. However, the film remains somewhat traditional in its demographic scope. While it subverts certain tropes by centering on female companionship, it lacks explicit LGBTQ+ representation and does not provide evidence of significant racial or disability-related diversity. Ultimately, the film offers a meaningful framework for representation through its focus on female friendship, even if it does not lean into overt identity politics.

2016

2011

2024

2019
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