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400 Against 1: A History of Organized Crime

Name: 400 Against 1: A History of Organized Crime
Director: Caco Souza
Released: 2010
Duration: 98 min

Representation Score

6.0/10

Fair

2010

Director

Caco Souza

Runtime

98 minutes

Average Rating

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New Showbiz Analysis

This film examines the friction caused by systemic issues, focusing on the lives of individuals who defy conventional laws. It effectively challenges typical moral frameworks by emphasizing survival and community building within oppressive environments. While the narrative offers a deep critique of institutional power and societal structures, it remains confined to traditional romantic plots and male-dominated settings. Its strength lies in its socio-political depth rather than broad representation of diverse identities.

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Category Breakdown

Does 400 Against 1: A History of Organized Crime have LGBTQ+ representation?

Fair

The film does not include any visible LGBTQ+ characters or stories that go beyond traditional heterosexual relationships. The main romantic storyline revolves around William and Tereza.

How does 400 Against 1: A History of Organized Crime portray gender?

Fair

The story focuses on male-dominated environments such as prisons and criminal organizations. However, Tereza plays a significant role within the protagonist's personal life.

How racially and ethnically diverse is 400 Against 1: A History of Organized Crime?

Good

The film explores the racial tensions and class struggles within Brazil’s carceral system. It uses the setting of Rio de Janeiro to delve into ethnic conflicts and social inequalities.

How does 400 Against 1: A History of Organized Crime represent religion and culture?

Excellent

The movie portrays the prison system as an oppressive institution controlled by the state. It highlights the importance of community and resistance against systemic injustices.

Does 400 Against 1: A History of Organized Crime include disability representation?

Minimal

There is no mention or depiction of physical or neurodivergent disabilities in this film.

Present on Screen

Offers a sophisticated critique of institutional power and state authority.
Explores the racialized dynamics of Brazil’s carceral system.
Highlights the importance of community and survival among the underrepresented.

Limited or Absent

Does not include visible LGBTQ+ characters or non-traditional relationship narratives.
Focuses on male-dominated spaces, limiting female influence.
Provides no representation of physical or neurodivergent disabilities.

Official Synopsis

The story of William da Silva Lima, the last survivor of the group that founded the Comando Vermelho at the end of the 1970s. It shows him living together with the political prisoners incurred under the same National Security Law and his leadership in the Ilha Grande Prison creating a type of unheard of conduct and solidarity in the Brazilian prisons. The film goes on to tell of the group's actions on the streets of Rio de Janeiro during the beginning of the 80s when they irritated the police with their daring robberies, as well as portraying the surprising love story between William and Tereza. The narrative weaves its way between the intimate conflict and the spectacular assaults and escapes.

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