You are here:

The Propaganda Game

Name: The Propaganda Game
Director: Álvaro Longoria
Released: 2015
Duration: 94 min

Representation Score

5.2/10

Fair

2015

Director

Álvaro Longoria

Runtime

94 minutes

Average Rating

No ratings yet

New Showbiz Analysis

The Propaganda Game is a specialized investigative documentary that prioritizes systemic analysis over demographic representation. It functions as a postmodern interrogation of how truth is manipulated by dominant institutions, whether state-sponsored communist regimes or Western capitalist media. While the film lacks engagement with individual identity politics—specifically regarding LGBTQ+, gender, and disability—it offers a sophisticated critique of institutional authority. Its strength lies in its ability to deconstruct the mechanics of information warfare on a global scale. Ultimately, the film trades personal, multi-layered narratives for a macro-level study of power. This results in a work that is intellectually rigorous regarding cultural and systemic structures but largely silent on traditional social diversity metrics.

Watch this, not that →

Category Breakdown

Does The Propaganda Game have LGBTQ+ representation?

Minimal

The film focuses solely on geopolitical information warfare without engaging with LGBTQ+ identities or non-cisgender themes.

How does The Propaganda Game portray gender?

Limited

The narrative emphasizes institutional and political structures rather than individual gender roles. It avoids focusing on gendered ability to act in favor of macro-level systemic manipulation.

How racially and ethnically diverse is The Propaganda Game?

Fair

The documentary uses a global perspective to examine information flow, disrupting Western-centric viewpoints by analyzing North Korean propaganda alongside Western media.

How does The Propaganda Game represent religion and culture?

Excellent

The film excels in critiquing traditional power structures and the deconstruction of objective truth. It highlights how both communist and capitalist institutions weaponize information.

Does The Propaganda Game include disability representation?

Minimal

There is no focus on neurodivergence or physical disabilities. The subjects are primarily journalists and political analysts, not individuals with diverse physical needs.

Present on Screen

Provides a sophisticated deconstruction of how institutional power maintains control through information manipulation.
Offers a global perspective that challenges Western-centric narratives by examining North Korean propaganda mechanics.
Engages deeply with postmodern themes regarding the malleability of truth in a post-truth era.

Limited or Absent

Lacks any narrative engagement with LGBTQ+ identities or queer theory.
Bypasses individual gender dynamics and ability to act in favor of macro-level political structures.
Provides no representation or multi-layered inquiry regarding disability or neurodivergence.

Official Synopsis

North Korea. The last communist country in the world. Unknown, hermetic and fascinating. Formerly known as “The Hermit Kingdom” for its attempts to remain isolated, North Korea is one of the largest sources of instability as regards world peace. It also has the most militarized border in the world, and the flow of impartial information, both going in and out, is practically non-existent. As the recent Sony-leaks has shown, it is the perfect setting for a propaganda war.

How are these scores produced? →