The film lacks any mention of LGBTQ+ characters or non-cisnormative identities. The narrative focus remains strictly on the central mystery of the decapitated victims.

A dual-protagonist structure features Commissaire Rousseau and the young profiler Mariella De Luca. This female presence suggests a slight departure from purely male-centric investigative tropes.

The setting is localized to Paris with characters suggesting a European context. There is no explicit evidence of a non-white majority cast or intentional race-bent casting.

The story operates within the framework of a standard Western crime thriller. It utilizes traditional Western institutions like the police to drive the plot forward.

There is no information regarding the inclusion of characters with physical, sensory, or neurodivergent disabilities.