The film operates within a strictly heteronormative framework. There is no evidence of non-cisnormative gender identities or same-sex intimacy.

Traditional gender hierarchies are reinforced throughout the narrative. While the hostess exerts social control by presenting the protagonists as entertainers, she primarily functions as a facilitator for the setting.

The cast reflects the homogeneous social structures of the 1930s. The ritzy mansion setting suggests a focus on a traditional, largely Anglo-Saxon upper-class environment.

The film presents a traditionalist view of social class. The disruption of high-society institutions serves as a comedic device rather than a critique of capitalism or class oppression.

There is no evidence of characters with visible or invisible disabilities portrayed with agency. Physical vulnerability is often used as a comedic tool in this era of slapstick.