
The Witch of Kings Cross
2020

Representation Score
Fair
1967
Director
Sheldon Rochlin
Runtime
62 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Vali, The Witch of Positano serves as a documentary portrait of individualistic rebellion. It succeeds by validating a lifestyle that prioritizes personal autonomy over the rigid social and religious hierarchies of the 1960s. The film's strength lies in its subversion of mid-century norms, particularly regarding gender and spirituality. By centering an unconventional woman, it disrupts traditional hierarchies and offers a critique of standard social institutions. However, the work lacks significant racial diversity, focusing more on cultural displacement. The absence of disability representation also limits the scope of its social commentary.
Category Breakdown
The film focuses on a subject whose lifestyle challenged the straight-centered norms of the 1960s. It offers a rare glimpse into identities that existed on the fringes of mainstream society.
Vali Myers is portrayed with high levels of autonomy and intellectual independence. The narrative avoids domestic or submissive feminine roles, emphasizing her esoteric pursuits and self-governance.
The film explores a cross-cultural intersection between an Australian subject and an Italian setting. However, it lacks significant diversity in its cast, focusing more on cultural displacement.
The documentary highlights non-institutionalized belief systems and subjective morality. It showcases a life lived outside the bounds of traditional Western social norms and organized religion.
The film does not appear to address neurodivergence or physical disabilities as central themes or character arcs.
Present on Screen
Limited or Absent
Official Synopsis
A documentary portrait shot in Positano, Italy in 1965 about Australian artist and occultist Vali Myers.

2020

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2009

1985

1948

1975

2002

2007
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