
The Man We Want to Hang
2002

Representation Score
Good
2009
Director
Kenneth Anger
Runtime
5 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Kenneth Anger’s documentary on Aleister Crowley’s artwork functions as a profound disruption of mainstream cultural and religious narratives. By centering on esoteric symbolism, the film inherently challenges traditional Western hierarchies and assumptions that everyone is straight or cisgender. The film excels in its cultural critique, offering a high degree of intellectual diversity by prioritizing secularism and subjective morality. It frames established religious systems as structures to be transcended rather than obeyed. However, the work remains limited by its narrow focus on Western esoteric traditions. This concentration results in lower scores for racial and ethnic diversity, as the subject matter is historically specific.
Category Breakdown
The film engages with queer aesthetics through its focus on Aleister Crowley. It prioritizes symbolic identities that exist outside of straight-centered assumptions.
The narrative explores the subversion of gender hierarchies. It utilizes occult symbolism to blur masculine and feminine archetypes and challenge conventional social roles.
The visual palette centers on Western esoteric traditions. While it lacks a diverse cast, it offers intellectual diversity through its focus on non-traditional belief systems.
The work critiques Christian morality and religious hegemony. It centers on anti-establishment spirituality and the deconstruction of traditional Western institutional values.
Disability is not a central theme or a primary narrative driver in this documentary.
Present on Screen
Limited or Absent
Official Synopsis
A look at the artwork of Aleister Crowley.

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