
Breathing Earth - Susumu Shingu's Dream
2012

2018
Director
Thomas Riedelsheimer
Runtime
97 minutes
Average Rating
No ratings yetSynopsis
Thomas Riedelsheimer’s landmark Rivers and Tides inventively documented artist Andy Goldsworthy as he created his wondrously ephemeral site-specific sculptures, spun from nature. Fifteen years later, Goldsworthy is still appealingly engaged in his philosophical and tactical exploration of the natural world. Leaning Into the Wind is a collaborative sequel—a visual and aural sensation that takes viewers into the hillsides, terrains, and other outdoor spaces where Goldsworthy feels most at home and inspired.
Overall Score
Minimal
Category Breakdown
LGBTQ+ Representation
The film contains no visible LGBTQ+ characters or romantic pairings. The narrative remains strictly focused on the solitary creative process of the protagonist.
Gender Representation
The story centers on a singular male figure, reinforcing a traditional focus on the individual male creator. It lacks the cast breadth to explore gender dynamics.
Racial & Ethnic Diversity
The film lacks a diverse cast, focusing almost exclusively on the British artist and his landscapes. There is no evidence of racial blending or intersectional casting.
Religious & Cultural Diversity
The film prioritizes a secular, nature-centric worldview that de-emphasizes traditional human institutions. It explores postmodernist themes through the lens of ephemeral, non-monumental art.
Disability Representation
There are no depictions of visible or invisible disabilities. The film does not address neurodivergence or physical accessibility within its narrative.
Strengths
Areas for Improvement
AI Analysis
Leaning Into the Wind is a meditative character study of sculptor Andy Goldsworthy. Because the film functions as a solo exploration of a single individual within vast, non-human landscapes, it lacks the social complexity required for traditional identity-based representation. The documentary operates through a lens of environmental philosophy rather than social critique. The 'characters' are largely the elements of nature—ice, stone, and wind—which precludes the inclusion of a diverse human social spectrum. While the film offers a profound aesthetic experience, it provides minimal representation of human social identities, resulting in a low diversity score due to its narrow, solitary subject matter.

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