
The End of the Storm
2020

2010
Director
James Erskine
Runtime
90 minutes
Average Rating
No ratings yetSynopsis
Before the Premier League and multi-million pound salaries, in England 'football' was a dirty word. The game was in disgrace, the fans, hooligans, the nation, it seemed, were all played out. Then there was Italia '90 - The World Cup - a shot at redemption. But this was no ordinary World Cup and no ordinary time. The manager, Sir Bobby Robson, was under intense media scrutiny, and his team described as 'donkeys'. Yet over six short weeks, through their heroic exploits they united a nation, coming within a heart beat of reaching the World Cup Final. Narrated by Gary Oldman, featuring match action - from Platt's last-gasp winner against Belgium to the silky skills of Gazza and the cool finishing of Lineker - and previously unseen footage, this is the definitive story of England's greatest footballing adventure on foreign soil... so far.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film focuses on the hyper-masculine environment of professional football. There are no LGBTQ+ characters or narratives addressing non-cisnormative identities present.
Gender Representation
The narrative is heavily male-centric, focusing on players and the manager. It lacks female perspectives or the subversion of traditional gender hierarchies.
Racial & Ethnic Diversity
The film reflects the sporting demographics of the early 1990s. While players include diverse backgrounds, the focus remains on a singular English identity.
Religious & Cultural Diversity
The story leans into traditional Western constructs of patriotism and national identity. It celebrates institutional pride rather than engaging with diverse cultural critiques.
Disability Representation
There are no prominent depictions of visible or invisible disabilities. No characters with disabilities serve as central plot devices in this documentary.
Strengths
Areas for Improvement
AI Analysis
One Night in Turin is a historical documentary that prioritizes archival preservation and national sentiment over social deconstruction. It captures a specific cultural milestone through a traditional heroic arc of redemption. The film's framework is rooted in traditionalist structures of masculinity and patriotism. It documents a period of intense, singular national focus without attempting to challenge existing power dynamics. While it accurately reflects the era's sporting demographics, the narrative lacks intersectional perspectives or a variety of social viewpoints.

2020

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1991

2021

2014

1983
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2024

2015

1966
2009
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