The film lacks any depiction of gender identity or sexual orientation. The entities present are geometric or abstract forms without biological markers of sexuality.

The narrative avoids traditional gender hierarchies by removing gendered subjects entirely. The immortals are characterized by temporal preoccupation rather than masculine or feminine traits.

The setting is a monolithic city populated by abstract entities. It does not engage with human racial or ethnic categories or metaphors for diversity.

The film earns points by disrupting conventional Western teleology. It favors an existentialist framework over traditional religious or patriotic structures through its depiction of jaded immortals.

There are no characters portrayed with physical or neurodivergent disabilities. The entities function as mechanical or cosmic forces rather than sentient beings.