New Showbiz

You are here:
The World of Arata: World's/Start/Load/End

The World of Arata: World's/Start/Load/End

2012

Director

Yuzuru Tachikawa

Runtime

30 minutes

Average Rating

No ratings yet

Synopsis

Four high school girls in uniforms walk silently on the barren earth. These girls are time travelers who had been sent 6000 years into the future, from their present in which the same day is endlessly repeated, in order to evade human extinction. They studied time travel in school, were examined by the aptitude test, and were sent to the future as told. What should they do now? They had no idea. The only thing they could take with them from the present was a light, toy-like cellphone. Of course, it receives no signal here. As the girls are walking, they see strange birds flying in the sky, and a discolored river in the distance. Then, one girl finds an abandoned house, and recognizes the name inscribed on the front gates. * A mixed-media project by Iruma Hitoma, who wrote the novel, created the story for the manga version, scripted the anime, and penned the lyrics for the music.

Where to Watch

Diversity & Representation

Overall Score

4.3/10

Fair

Category Breakdown

LGBTQ+ Representation

Fair

The film centers on a female-led ensemble in a post-apocalyptic setting. While specific identities aren't confirmed, the absence of traditional societal structures allows for potential subtextual explorations of intimacy.

Gender Representation

Good

The narrative disrupts conventional tropes by centering female agency in a survivalist sci-fi context. By removing traditional male leadership, the film effectively subverts patriarchal power dynamics and hierarchies.

Racial & Ethnic Diversity

Limited

Information regarding the ethnic composition of the cast is limited. The story focuses on the existential condition of humanity rather than explicit racial discourse or diverse casting.

Religious & Cultural Diversity

Good

The setting critiques traditional institutions like family and government by placing characters in a post-humanist landscape. It prioritizes a subjective, existential morality over established social norms.

Disability Representation

Minimal

There is no evidence within the narrative to indicate the presence of characters with visible or invisible disabilities.

Strengths

  • Subverts traditional gender hierarchies by centering female agency.
  • Provides a unique, non-traditional narrative architecture.
  • Explores existential morality outside of institutionalized structures.

Areas for Improvement

  • Lacks visible evidence of racial or ethnic diversity.
  • Provides no representation of characters with disabilities.
  • Offers limited information regarding specific LGBTQ+ identities.

AI Analysis

The film is a highly centralized, idiosyncratic work driven by the singular vision of Iruma Hitoma. It prioritizes personal thematic exploration over commercialized tropes, resulting in a narrative that feels deeply personal and non-traditional. While the work excels at subverting gender hierarchies by placing female agency at the forefront of a survivalist journey, it remains silent on other social dimensions. The lack of visible racial or disability representation limits its broader social impact. Ultimately, the film functions as an existentialist study. It succeeds in creating a space free from traditional patriarchal structures, even if it lacks explicit data on diverse identity markers.

How are these scores produced? →

Rate this Movie

No rating selected
Use arrow keys to select a rating from 1 to 5 stars
Optional text review, maximum 2000 characters
Tip: Wrap spoilers with ||double pipes|| to hide them
0/2000 characters
You must be signed in to submit a rating

Reviews

No reviews yet. Be the first to share your thoughts on this movie!

Use the rating form above to leave a star rating and optional review.