The film integrates characters like Valbona, a lesbian, and Magnolia, a retired escort, into the central group. This approach moves beyond tokenism by making these identities essential to the story's social fabric.

Female agency drives the plot through Rosa Maria’s decision to leave her husband and Mamma Stella’s matriarchal influence. The narrative focuses on women navigating social stigma and disrupting traditional domestic hierarchies.

The story focuses on localized, homogeneous social structures within Southern Italy. While it explores social outsiders, there is no evidence of multi-ethnic or non-majority casting.

The film critiques rigid village life and traditional hierarchies by centering on a community of eccentrics. It emphasizes communal solidarity among marginalized individuals over strict institutional norms.

There is no mention of characters with visible or invisible disabilities in the narrative.