The Lost City of Z
2017
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Diversity score: 2.9 out of 10
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The Spirit of St. Louis
1957
NRDirector
Billy Wilder
Runtime
135 minutes
Average Rating
No ratings yetSynopsis
In 1927, Charles Lindbergh struggles to finance and design an airplane that will make his New York to Paris flight the first solo transatlantic crossing.
Where to Watch
Diversity & Representation
Overall Score
2.2/10
Limited
Category Breakdown
LGBTQ+ Representation
The film follows a strictly heteronormative structure centered on a male protagonist. There are no depictions of non-cisnormative identities or critiques of traditional social norms.
Gender Representation
Gender roles are defined by traditional hierarchies. While Paulette Goddard offers emotional support, the narrative focuses almost exclusively on the male protagonist's technical and psychological struggle.
Racial & Ethnic Diversity
The casting reflects a homogeneous demographic typical of 1950s historical biopics. The story centers on a singular, white protagonist within a Western historical context.
Religious & Cultural Diversity
The story celebrates Western technological progress and individualist heroism. It promotes mid-century American values of personal discipline and triumph over physical limitations.
Disability Representation
No physical or neurodivergent disabilities are central to the plot. The film does, however, touch upon the psychological strain caused by extreme isolation.
Strengths
- Provides a focused, high-stakes look at individualist perseverance and historical achievement.
- Captures the psychological toll of isolation during a monumental technical feat.
Areas for Improvement
- Lacks diverse casting and intersectional character development.
- Reinforces traditional gender hierarchies by relegating female characters to secondary, domestic roles.
- Fails to offer any critique of the Western institutions or social norms of the era.
AI Analysis
Billy Wilder’s biopic is a quintessential example of the 'Great Man' theory of history. It prioritizes the singular achievement of Charles Lindbergh, framing the transatlantic flight as a triumph of individualist perseverance and Western technological advancement. The film operates within the social constraints of its era, offering a narrative that celebrates personal discipline rather than systemic critique. It lacks intersectional depth, focusing instead on a traditionalist view of historical progress. Because the production avoids diverse casting and does not subvert established social hierarchies, it remains a product of mid-century biographical filmmaking that favors a narrow, homogeneous perspective.
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