
Tales of the Magic Clock
2003

Representation Score
Minimal
1928
Director
Władysław Starewicz
Runtime
45 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Władysław Starewicz’s 1928 short is a surrealist exploration of a child's psyche rather than a vehicle for social commentary. Its primary strength lies in centering a female character's internal intellectual life, which offers a degree of ability to act uncommon for the era. However, the film lacks modern diversity. It does not feature characters from different racial, ethnic, or LGBTQ+ backgrounds, remaining confined to a singular, narrow narrative focus. Ultimately, the film functions as a whimsical fantasy. It disrupts reality through the lens of subjectivity rather than through systemic or social representation.
Category Breakdown
The film does not include any characters with LGBTQ+ identities. The story revolves around the protagonist's internal world.
A female protagonist drives the plot through her imagination. While she plays a significant role, her character may still reflect traditional feminine archetypes.
There is no evidence of a diverse cast or the subversion of racial hierarchies. The visual style is limited by the technology available in 1928.
The story explores the tension between an industrious reality and a fluid dream state. It prioritizes individual subjective experience over societal norms.
There is no discernible evidence regarding the portrayal of physical or neurodivergent disabilities in this work.
Present on Screen
Limited or Absent
Official Synopsis
A clockmaker’s daughter daydreams of a magic world inside a clock.

2003

1988

1968

1927

1978

1977

1908

1923
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