The film engages with non-traditional feminine archetypes by centering the Lilith mythos. While it challenges heteronormative religious foundations through the deconstruction of the 'first wife,' it lacks explicit depictions of queer identities or same-sex intimacy.

The narrative disrupts traditional hierarchies by centering a female-driven conflict. While the women possess high agency as drivers of the supernatural plot, they are frequently positioned as victims of a predatory force.

The story focuses on a homogenous group of students within a Catholic institutional setting. There is no evidence of racial integration or intentional efforts to disrupt historical norms through diverse casting.

The film critiques Western religious institutions by framing the church as a site of historical trauma. It prioritizes a subjective understanding of spirituality by positioning pagan figures against corrupt religious authority.

The plot explores the lasting effects of childhood abuse and psychological trauma. However, these mental health struggles function primarily as catalysts for horror rather than providing nuanced character agency.