
The Best of Everything
1959

Representation Score
Limited
1962
NRDirector
George Cukor
Runtime
125 minutes
Average Rating
No ratings yetNew Showbiz Analysis
George Cukor’s film serves as a transitional social critique that prioritizes the psychological and sexual autonomy of women. By focusing on women's ability to drive the story, it disrupts the era's domestic clichés and highlights the hypocrisy of mid-century social mores. However, the film remains confined to a white, upper-middle-class demographic and adheres to the assumptions that everyone is straight or cisgender, offering little representation for LGBTQ+ or multi-ethnic perspectives.
Category Breakdown
The film operates within strict assumptions that everyone is straight or cisgender, typical of the early 1960s. It lacks characters identifying as LGBTQ+ or narratives centered on non-assuming gender matches what was assigned at birth identities.
The narrative centers the female experience and challenges traditional gender hierarchies. It uses a sociological lens to examine women's sexual autonomy and critiques the double standards applied to women.
The cast is predominantly white, reflecting the demographic homogeneity of its 1962 setting. The film does not engage with racial or ethnic diversity.
The film critiques Western social hypocrisy by contrasting polite standards against private realities. It frames traditional institutions as sources of psychological repression.
There is no evidence of characters with visible or invisible disabilities serving as central plot devices or being portrayed with specific ability to act.
Present on Screen
Limited or Absent
Official Synopsis
A research psychologist gets involved in the personal lives of four women.

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1952
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