
Selma, Lord, Selma
1999

2019
TV-MADirector
Frances-Anne Solomon
Runtime
111 minutes
Average Rating
No ratings yetSynopsis
Inspired by the life and times of Caribbean war hero, judge and diplomat Ulric Cross whose amazing life spanned key moments of the 20th Century like WW2, African independence movements, Black Power, the rise of a new brand of Black leadership around the world, events that define our present reality.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The documentary focuses on the biographical and diplomatic trajectory of Ulric Cross. There is no explicit depiction of LGBTQ+ identities or non-cisnormative narratives within the film.
Gender Representation
The narrative centers on the professional agency of a male subject. It does not actively center female agency or subvert traditional masculine leadership roles in its portrayal of mid-century diplomacy.
Racial & Ethnic Diversity
The film excels by centering a Black Caribbean intellectual. It disrupts Western-centric historical lenses by prioritizing the agency of individuals within the Pan-African movement and African decolonization.
Religious & Cultural Diversity
The film engages deeply with post-colonial theory and Pan-Africanism. It presents a critique of Western imperial influence and emphasizes the importance of self-determination for newly independent nations.
Disability Representation
There is no significant evidence within the biographical scope to suggest that disability or neurodivergence is a central thematic or narrative element.
Strengths
Areas for Improvement
AI Analysis
Hero is a significant work of restorative storytelling that shifts the historical gaze from the colonizer to the colonized. It provides a nuanced look at Black intellectualism and global diplomacy through the life of Ulric Cross. The film achieves high marks by centering racial agency and deconstructing colonial power dynamics. It moves away from Anglo-Saxon hegemony to highlight the sophisticated political maneuvers of Black leaders in the post-colonial era. However, the film lacks depth in other identity markers. It does not prioritize LGBTQ+ narratives or subvert traditional gender hierarchies, as the subject matter remains tied to male-dominated political spheres.

1999

2014

1968

2021

2003

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1993

1981

2017

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2019

2006
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