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Something Better Somewhere Else

Name: Something Better Somewhere Else
Director: Ron Lazzeretti
Released: 2010
Duration: 76 min

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Representation Score

3.4/10

Limited

2010

Director

Ron Lazzeretti

Runtime

76 minutes

Average Rating

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New Showbiz Analysis

Ron Lazzeretti’s anthology structure allows for a fragmented exploration of human connections. By using four distinct vignettes, the film avoids traditional storytelling methods and focuses on disrupting social and institutional norms. This approach highlights moral complexity and the instability of social roles. However, the lack of specific demographic data limits the scope of its diversity.

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Category Breakdown

Does Something Better Somewhere Else have LGBTQ+ representation?

Fair

The 'Wedding Night' segment features an unexpected elopement between a bride and a priest, which challenges traditional religious ceremonies. However, the specific LGBTQ+ identities of the characters are not confirmed.

How does Something Better Somewhere Else portray gender?

Fair

The film emphasizes the emotional depth and ability to act of women, especially through a transformative experience on the CTA. It also delves into the tensions between professional and social gender roles.

How racially and ethnically diverse is Something Better Somewhere Else?

Minimal

The narrative focuses on emotional arcs and situational conflicts within a Chicago setting. There is no specific information available regarding the racial or ethnic makeup of the cast.

How does Something Better Somewhere Else represent religion and culture?

Fair

The film questions traditional institutions like the priesthood and the sanctity of marriage. It portrays the family unit and the concept of home as constantly changing.

Does Something Better Somewhere Else include disability representation?

Minimal

There is no information about characters with visible or invisible disabilities in the provided material.

Present on Screen

Challenges traditional social and religious institutions through narrative disruption.
Highlights the emotional depth and ability to act of women.
Uses vignettes to explore non-linear human experiences.

Limited or Absent

Does not explicitly confirm LGBTQ+ identities or dynamics.
Provides no verifiable information on racial or ethnic diversity.
Does not include characters with visible or invisible disabilities.

Official Synopsis

Chicago-based writer/director Ron Lazzeretti (The Opera Lover, The Merry Gentleman) explores the complexities of modern relationships in this independent drama presented in four parts. The first segment, titled "Last Day" finds acrimony taking precedent over amenity during a farewell party for an employee who's about to move on. A bride and the priest who's officiating her wedding get an unpleasant surprise after running away together in "Wedding Night," and a woman on the CTA receives a spontaneous gift that transforms her outlook on the world (at least, momentarily) in "Flowers". Lastly, a family preparing for a big relocation finds the forces of the universe seemingly aligned against them in "Move".

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