
The Virgin of Stamboul
1920

Representation Score
Limited
1925
Director
Ivane Perestiani
Runtime
70 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film focuses on social drama centered around class conflict and personal struggles. It highlights the tension between the working class and the landed nobility through the lens of early 20th-century social realism. While the film provides regional representation by emphasizing a Georgian perspective, it lacks modern markers of diverse identity. The narrative leans on traditional formulas regarding gender and social hierarchy. The film's strength lies in its potential to challenge the perceived moral superiority of the aristocracy rather than exploring diverse identity politics.
Category Breakdown
The film does not include any characters with non-straight or non-cisgender identities. The main conflict revolves around traditional romantic and class-based issues.
Despine is a central figure in the film, highlighting gendered power dynamics. While she is an object of desire, the narrative delves into female vulnerability within a patriarchal class structure.
As a Georgian production, the film centers on a non-Western identity. This offers regional representation that diverges from the Hollywood dominance of the 1920s.
The story contrasts a commoner against a corrupt nobleman, allowing for a critique of traditional hierarchies and the moral decay of the aristocracy.
There is no evidence of characters with physical, sensory, or neurodivergent disabilities in the narrative.
Present on Screen
Limited or Absent
Official Synopsis
Schoolteacher Spiridon and his pretty wife Despine are taking a room in a small inn. Tariel Mklavadze, a local nobleman and debauchee falls for a beauty of Despine. He and his friends terrify young couple trying to get Despine.

1920

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1959

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1922
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