
The Troubleshooter
2018

2021
Director
Maxime Roy
Runtime
99 minutes
Average Rating
No ratings yetSynopsis
Michel is an eternal kid who dreams only of motorcycles and hangs out with his big son Léo and his friends. At fifty, he has to deal with the baby he just had with his ex, and fights not to make the same mistakes and be a good guy.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks explicit mention of LGBTQ+ characters or non-heteronormative identities. While it explores unconventional family dynamics, there is no evidence of queer representation.
Gender Representation
Michel's characterization as an 'eternal kid' disrupts traditional masculine archetypes. The narrative focuses on his vulnerability and struggle with fatherhood rather than stoic patriarchal tropes.
Racial & Ethnic Diversity
The available information provides no details regarding the racial or ethnic composition of the cast or the setting. Consequently, no assessment can be made.
Religious & Cultural Diversity
The story prioritizes individual experience over rigid social structures by exploring situational ethics. It examines the complexities of modern parenthood through a personal, non-traditional lens.
Disability Representation
There is no mention of characters navigating physical, neurodivergent, or mental health conditions. The narrative focus remains on the protagonist's personal growth and family life.
Strengths
Areas for Improvement
AI Analysis
The film offers a nuanced look at masculinity by deconstructing the image of the stable, competent patriarch. Michel’s journey as a fifty-year-old father provides a platform to explore personal ethics and the disruption of traditional family timelines. However, the narrative's impact is limited by a lack of visible diversity in other key areas. Without information on racial, LGBTQ+, or disability representation, the film's ability to engage with broader intersectional themes remains unverified. Ultimately, the work succeeds as a character study of unconventional manhood but lacks the breadth to be considered a highly diverse production.

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