
Get the Hell Out
2020

2017
Director
Gavin Yap, Shamaine Othman, James Lee
Runtime
77 minutes
Average Rating
No ratings yetSynopsis
A flu like infection has taken over KL which turns into a zombie outbreak as we follow three intersecting stories of the survivors fleeing for safety.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks visible evidence of non-cisnormative identities or same-sex intimacy. The narrative focuses on survival mechanics rather than queer identity exploration.
Gender Representation
Sharifah Amani holds a top-billed role, suggesting female agency. However, the film appears to rely on standard genre tropes and traditional character archetypes.
Racial & Ethnic Diversity
The cast reflects the multi-ethnic fabric of Malaysia, centering a non-Western, multi-ethnic urban environment. This provides a strong departure from Anglo-centric norms.
Religious & Cultural Diversity
By recontextualizing zombie tropes within a Southeast Asian landscape, the film challenges Western horror hegemony. It offers a localized, fragmented view of society.
Disability Representation
There is no documented evidence regarding the inclusion of characters with visible or invisible disabilities in the narrative.
Strengths
Areas for Improvement
AI Analysis
KL24: Zombies succeeds in providing a localized perspective on a global genre. By setting the outbreak in Kuala Lumpur, the film centers a Southeast Asian urban environment and a multi-ethnic cast, effectively moving away from Western-centric storytelling norms. However, the film prioritizes survivalist horror mechanics over identity-driven subversion. While the racial and ethnic representation is high, the lack of visible LGBTQ+ or disability representation keeps the overall score moderate. Ultimately, the film is a strong example of regional genre filmmaking that excels in demographic authenticity but lacks specialized thematic depth in progressive representation.
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