
Jean Gentil
2012

Representation Score
Excellent
2019
Director
Laura Amelia Guzmán, Israel Cárdenas
Runtime
90 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Holy Beasts is a sophisticated piece of transnational cinema that rejects Western cinematic dominance. It succeeds by centering Latin American subjectivity and utilizing a fragmented, poetic structure that challenges conventional storytelling norms. However, the film lacks explicit engagement with identity-based politics. The absence of clearly defined LGBTQ+ identities or specific disability depictions prevents a higher overall score, as the narrative prioritizes abstraction over social advocacy.
Category Breakdown
The film avoids focusing on explicit LGBTQ+ themes but maintains a neutral stance on sexual orientation. It centers on spiritual and bodily connections without clearly defined queer-coded subtext or non-cisgender identities.
The narrative disrupts traditional gender hierarchies by emphasizing female subjectivity and meditative experiences. It avoids secondary characterizations by prioritizing maternal and spiritual empowerment through a dreamlike perspective.
The film excels in regional authenticity with a predominantly Mexican and Latin American cast and crew. This approach avoids the Western gaze by centering the story within a specific cultural context.
The story favors a postmodern, relational understanding of reality over objective truth. It moves away from Western institutional frameworks toward an organic, perhaps animistic, worldview centered on the natural world.
Themes of grief and the physical body are present, though specific disabilities are not central to character arcs. The dreamlike state suggests a possible exploration of neurodivergence or sensory perception.
Present on Screen
Limited or Absent
Official Synopsis
Remembers an artist in the form of a somnambulistic fantasy: A filmmaker faces increasing challenges as she tries, decades later, to complete Dominican filmmaker Jean-Louis Jorge’s unfinished work.

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