The film functions as a documentary-style exploration of circus performers rather than a narrative drama. It lacks explicit character arcs or romantic pairings that would depict non-cisnormative identities.

The film shifts focus away from traditional domestic roles toward the specialized labor of circus performers. However, it lacks evidence of women occupying dominant roles that subvert patriarchal hierarchies.

The production focuses on a relatively homogeneous European performer demographic. There is no documented evidence of diverse ethnic identities disrupting the era's standard casting practices.

The film celebrates a secular, transient world of performers existing outside traditional Western social structures. It avoids promoting singular religious or patriotic ideals in favor of artistic subjectivity.

The film celebrates the unique physicalities of clowns, though it is unclear if this provides agency or uses physical difference as a mere aesthetic tool. No neurodivergent characters are evident.