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I'm Not the Girl Who Misses Much

Name: I'm Not the Girl Who Misses Much
Director: Pipilotti Rist
Released: 1986
Duration: 5 min

Representation Score

7.5/10

Good

1986

Director

Pipilotti Rist

Runtime

5 minutes

Average Rating

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New Showbiz Analysis

Pipilotti Rist’s work excels in its subversion of traditional gender roles and expectations. Using a domestic setting, the performance emphasizes individual psychological expression and personal ability to act over conventional feminine ideals. However, the work lacks diversity in its representation of different racial and ethnic backgrounds. Additionally, there are no explicit LGBTQ+ narrative markers or non-assuming gender matches what was assigned at birth identities. Ultimately, the piece focuses on personal liberation and disruption of social norms regarding female conduct, though it does not extensively explore broader demographic diversity.

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Category Breakdown

Does I'm Not the Girl Who Misses Much have LGBTQ+ representation?

Fair

The work centers on a single female character without explicit LGBTQ+ narrative elements. However, the intense performance style challenges traditional expectations of feminine behavior and domestic passivity.

How does I'm Not the Girl Who Misses Much portray gender?

Excellent

The piece overturns traditional gender roles by rejecting passive femininity. The subject uses a domestic setting to emphasize raw psychological expression and personal ability to act over conventional feminine ideals.

How racially and ethnically diverse is I'm Not the Girl Who Misses Much?

Limited

The video features a single, likely Eurocentric subject within a Swiss context. It functions as an exploration of individual subjectivity rather than a study in racial diversity.

How does I'm Not the Girl Who Misses Much represent religion and culture?

Good

Rist reinterprets pop lyrics into a manic art piece, prioritizing personal liberation and subjective truth over traditional Western structures of order.

Does I'm Not the Girl Who Misses Much include disability representation?

Fair

While no specific disability is addressed, the manic performance can be interpreted as depicting non-normative psychological states. The behavior serves as an artistic choice of personal ability to act.

Present on Screen

Subverts traditional gender roles and domestic expectations.
Emphasizes individual psychological expression and personal ability to act.
Reinterprets pop lyrics into a powerful cultural critique.

Limited or Absent

Lacks explicit representation of racial and ethnic diversity.
Does not include clear LGBTQ+ narrative markers or non-assuming gender matches what was assigned at birth identities.
Focuses on a singular subject, limiting characters who reflect more than one aspect of diversity.

Official Synopsis

This video work was made while Rist was still an art student at the School of Design in Basel, Switzerland. It was produced in an unlimited edition and is intended to be shown on a domestic-style monitor, although it may also be displayed as a projection with special permission from the artist. The video depicts the artist, an attractive young woman dancing manically around the room while repeatedly singing ‘I’m not the girl who misses much’. The phrase is an adaptation of the first line of the Beatles song ‘Happiness is a Warm Gun'. Referring to her childhood Rist has said, ‘In my village in Switzerland I had a small window on the art world through the mass media; through John Lennon/Yoko Ono I moved from pop music to contemporary art. In return, I will always be grateful to popular culture’ (quoted in ‘I rist, you rist, she rists, he rists, we rist, you rist, they rist, tourist: Hans Ulrich Obrist in Conversation with Pipilotti Rist’, Pipilotti Rist, p.16).

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