
For the Living and the Dead
2005

Representation Score
Fair
2015
Director
Anne Émond
Runtime
102 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Anne Émond’s drama is a deeply personal character study that emphasizes psychological realism over demographic diversity. The film dismantles traditional patriarchal hierarchies by focusing on the emotional experiences of women and portraying men through a lens of vulnerability rather than strength. However, the film remains confined by its specific historical and geographic context. Its focus on a homogeneous French-Canadian village limits LGBTQ+ and racial representation, keeping the narrative within a traditional family structure framework. Ultimately, the work finds its depth in the fractures of the domestic institution. It opts for a nuanced exploration of how unspoken trauma and systemic secrecy affect the family unit over broad multi-layered visibility.
Category Breakdown
The film focuses on the traditional family structures and domestic life of David and Marie. It does not include narratives involving non-straight or non-cisgender identities and does not critique the assumption that everyone is straight or cisgender.
The narrative challenges traditional masculine stereotypes by emphasizing the male protagonist's melancholy. It highlights the emotional labor and inner lives of its female characters.
Set in a 1978 French-Canadian village, the cast is primarily made up of people from similar backgrounds. The film reflects specific historical demographics without using diverse or color-blind casting.
The story explores the breakdown of the traditional family unit through hidden truths and grief. It avoids idealized Christian morality in favor of complex, subjective emotional experiences.
While the film examines the emotional weight of grief, it does not include explicit representations of physical disabilities, neurodivergence, or chronic illnesses as central narrative drivers.
Present on Screen
Limited or Absent
Official Synopsis
1978. In a small village in Bas-St-Laurent, Guy’s tragic death is a shock for the Leblanc family. For many years, the real cause of his death is kept hidden from some members of the family, including his son David. The latter in turn starts his own family with his wife Marie. He lovingly raises his children Laurence and Frédéric, but deep within him harbours a persistent melancholy.

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