The film lacks any discernible presence of LGBTQ+ characters or non-cisnormative identities. It focuses strictly on the rigid hierarchies of a masculine underworld.

The narrative is driven almost exclusively by male characters navigating power dynamics. Female characters remain on the periphery, serving as secondary figures without significant agency.

The cast is largely homogeneous, reflecting the specific socio-political context of Seoul. It avoids harmful stereotypes but does not actively seek to disrupt ethnic norms.

The film offers a profound critique of the intersection between capitalism and state authority. It portrays legal systems as corrupt mechanisms designed to protect the wealthy.

There is no significant focus on physical, neurodivergent, or sensory disabilities. Characters are defined by professional status and moral flexibility instead.