
End of the Game
1975

Representation Score
Limited
1977
NRDirector
Junya Satō
Runtime
132 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Proof of the Man is a cross-cultural crime drama that expands its scope beyond a single domestic setting. By following a Japanese detective to New York, the film provides a meaningful international perspective that sets it apart from many period dramas. However, the film adheres to the conventional genre expectations of the late 1970s. The narrative is heavily male-centric and lacks the complexity needed to challenge established social hierarchies or offer diverse character perspectives.
Category Breakdown
The film follows a traditional crime-procedural structure typical of 1977. There is no evidence of non-straight or non-cisgender identities or narratives that question the assumption that everyone is straight or cisgender.
The film focuses on a male-driven investigative duo, where women play minor roles and do not challenge traditional hierarchies. The narrative aligns with standard 1970s genre clichés, lacking female characters who drive the plot or challenge familiar patterns.
The story bridges Tokyo and New York, showcasing international cooperation between Japanese and American detectives. However, race is not a central theme.
The story explores Japanese and American social environments through a criminal lens. It prioritizes solving mysteries over critiquing cultural or political systems.
There is no mention of characters with visible or invisible disabilities. Disability is not used as a narrative device.
Present on Screen
Limited or Absent
Official Synopsis
When an American is murdered in a Japanese inn, Tokyo police detective Munesue follows the trail of the killer to New York. There he is joined by a New York City detective named Shuftan and together they sort out the crime.

1975

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