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Behind the Walls

Behind the Walls

2018

Director

James Kondelik, Jon Kondelik

Runtime

91 minutes

Average Rating

No ratings yet

Synopsis

Years it has waited, now someone's moved in. Through the eyes of the evil within we witness a broken family desperately seeking a new beginning, in a new home, but this house lives, watches and wants them to stay, forever.

Where to Watch

Diversity & Representation

Overall Score

1.5/10

Minimal


Category Breakdown

LGBTQ+ Representation

Minimal

The film lacks any mention of non-cisnormative identities. There is no evidence of LGBTQ+ agency or narratives addressing heteronormativity within the story.

Gender Representation

Limited

The story centers on a 'broken family,' which often relies on traditional domestic structures. There is no indication of subverting gender hierarchies or non-traditional portrayals of masculinity and femininity.

Racial & Ethnic Diversity

Minimal

The narrative provides no information regarding the racial or ethnic composition of the cast. No evidence of race-bent casting or intersectional character depth is present.

Religious & Cultural Diversity

Fair

Themes of domesticity and socioeconomic mobility appear through the family's move. However, the film lacks critiques of Western institutions or secular/anti-capitalist perspectives.

Disability Representation

Minimal

The plot does not feature characters navigating neurodivergence, physical disabilities, or mental health conditions as central narrative drivers.

Strengths

  • The 'broken family' premise offers a departure from the idealized nuclear family model.

Areas for Improvement

  • The film lacks diverse identity markers and intersectional character depth.
  • There is no evidence of subverting traditional social norms or systemic power dynamics.
  • The narrative fails to include representation for neurodivergence, physical disabilities, or LGBTQ+ identities.

AI Analysis

Behind the Walls operates as a conventional horror piece centered on a family unit facing a malevolent environment. The narrative relies on established genre tropes, such as the haunted house, rather than intentional social commentary. The film lacks verifiable evidence of intersectional casting or the subversion of systemic power dynamics. It focuses on the tension between a domestic unit and a predatory space, which reinforces rather than disrupts traditional social hierarchies. Ultimately, the production does not demonstrate a pattern of progressive representation, functioning instead as a standard genre exercise.

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