The Amityville Terror
2016
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Diversity score: 3.2 out of 10
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The Terrible Two
2018
Director
Billy Lewis
Runtime
84 minutes
Average Rating
No ratings yetSynopsis
Albert and Rose Poe bought their dream house seven years ago in Greenfield, NC. They had no idea of the unspeakable horrors that took place in the house before they moved in. If they had known, then their children, Addi and Jade would still be alive. Instead the Poes now find themselves imprisoned in the house they thought was their safe place, and battling their two daughters for survival.
Where to Watch
Diversity & Representation
Overall Score
3.2/10
Limited
Category Breakdown
LGBTQ+ Representation
The film focuses on a nuclear family unit consisting of Albert, Rose, and their children. There is no evidence of non-heteronormative identities or LGBTQ+ characters within the narrative.
Gender Representation
Characters appear to follow standard horror tropes regarding protector and victim roles. The story does not show any subversion of traditional masculine or feminine hierarchies.
Racial & Ethnic Diversity
The narrative provides no information regarding the racial or ethnic identities of the Poe family. The casting appears to follow conventional, potentially homogeneous patterns.
Religious & Cultural Diversity
The plot centers on the sanctity of the home and the preservation of the family unit. It lacks any significant exploration of diverse cultural or secularist perspectives.
Disability Representation
There is no mention of characters with visible or invisible disabilities. No neurodivergent or chronic health conditions are represented in the story.
Strengths
- The film provides a clear, focused narrative centered on a central family unit.
Areas for Improvement
- The film lacks representation of LGBTQ+ identities and diverse racial or ethnic backgrounds.
- There is no inclusion of characters with disabilities or neurodivergent traits.
- The narrative relies on traditional gender roles and conventional domestic tropes.
AI Analysis
The film operates within the established boundaries of the domestic horror genre. It prioritizes a traditional narrative of familial tragedy and supernatural survival over the exploration of intersectional identities or social subversion. Most character dynamics revolve around a standard nuclear family structure. This focus reinforces conventional domestic themes rather than challenging existing social hierarchies or presenting diverse cultural perspectives. Ultimately, the work functions as a standard genre piece. It lacks the intentional markers of systemic critique or the representation of marginalized groups necessary to elevate its diversity profile.
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