
A King in Havana
2005

Representation Score
Good
2015
Director
Kenny Riches
Runtime
99 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Strongest Man is a character-driven comedy that emphasizes ethnic representation. By centering a Cuban man as the main character, the film avoids homogeneous casting and gives the protagonist genuine narrative ability to act. However, the film lacks breadth in its social engagement. There is no visible LGBTQ+ representation or engagement with queer identities. Additionally, there is insufficient evidence of female characters having significant roles or challenging gender hierarchies. The narrative scope appears limited to individual struggles rather than broader social critiques.
Category Breakdown
The film does not include any explicit LGBTQ+ characters or non-cisgender identities. The story focuses solely on the protagonist's personal journey.
The story revolves around a male protagonist's internal conflicts and physical pursuits. It is unclear whether female characters play significant roles or if the film reinforces traditional masculine stereotypes.
The film provides meaningful representation by focusing on a Cuban protagonist. This places an ethnic minority character at the center of the narrative, giving them significant influence.
The narrative focuses on individual character studies rather than broader institutional critiques. There is no clear evidence of an anti-Western or overtly secular framework.
The protagonist is described as anxiety-ridden. This provides a basis for exploring mental health issues, although the depth of this portrayal is not fully verified.
Present on Screen
Limited or Absent
Official Synopsis
An anxiety-ridden Cuban man who fancies himself the strongest man in the world attempts to recover his most prized possession, a stolen bicycle. On his quest, he finds and loses much more.

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