
Una gallega en La Habana
1955

Representation Score
Good
2005
Not RatedDirector
Alexis Valdés
Runtime
102 minutes
Average Rating
No ratings yetNew Showbiz Analysis
A King in Havana serves as a significant piece of regional cinema that utilizes satire to critique social hierarchies. The film succeeds by making identity a central driver of the plot, moving beyond simple clichés to explore how characters navigate complex socioeconomic landscapes. The production's strength lies in its authentic cultural grounding. By prioritizing a local cast and setting, the film avoids the homogenization common in globalized media, offering a nuanced look at the Cuban experience. While the film excels in racial and cultural authenticity, it remains focused on specific social and gendered performances. The narrative effectively uses the 'clever deceiver' archetype to challenge traditional morality and explore situational ethics.
Category Breakdown
The film examines the tension between public personas and private identities through the protagonist's journey. It highlights the performative nature of sexuality within a restrictive social environment.
Masculinity is portrayed as a social construct rather than a fixed trait. The narrative deconstructs traditional Caribbean 'strongman' archetypes by showing how gendered performance aids survival and mobility.
The film centers Afro-Cuban and Caribbean identities through a predominantly local cast. This approach avoids a Western-centric perspective and provides an authentic texture of Havana life.
The story uses moral relativism to frame deception as a tool for survival. It critiques traditional structures by highlighting the friction between individual ability to act and systemic social norms.
There is no significant evidence regarding the portrayal of physical or neurodivergent disabilities in the narrative.
Present on Screen
Limited or Absent
Official Synopsis
Mr. Arturo, an old rich Spanishman who arrives to Havana to marry Yoli, dies suddenly in bed. Yoli's family, afraid of losing all the money, convinces her ex-boyfriend Papito to go to Spain and get the money. Papito will have to be clever enough to deceive everybody and succeed in Spain

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