
The Last Exorcist
2020

2016
NRDirector
Joseph P. Genier
Runtime
95 minutes
Average Rating
No ratings yetSynopsis
Desperate to save his fiancée from a demon that has possessed her soul, a man turns to his longtime priest for help.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The story centers on a conventional heterosexual romance between a man and his fiancée. There is no visible representation of queer identities or non-cisnormative perspectives.
Gender Representation
The film relies on the 'damsel in distress' trope. The female lead is rendered passive by supernatural forces, requiring male intervention to regain her agency.
Racial & Ethnic Diversity
The available information provides no details regarding the racial or ethnic makeup of the cast. Consequently, the film's approach to ethnic diversity remains unverified.
Religious & Cultural Diversity
The plot relies heavily on traditional Christian frameworks and spiritual authority. Conflict resolution is mediated through a priest, reinforcing established religious moral structures.
Disability Representation
Demonic possession serves as a supernatural plot device rather than a meaningful exploration of disability. No characters with disabilities are depicted with authentic agency.
Strengths
Areas for Improvement
AI Analysis
The film operates strictly within the confines of traditional supernatural thriller tropes. It prioritizes classical storytelling archetypes over any meaningful deconstruction of social hierarchies or intersectional identities. Narrative agency is heavily gendered, placing the female protagonist in a passive role while centering male and religious authority. This reinforces conventional social structures rather than challenging them. Because the film lacks visible queer representation and relies on established religious frameworks, it offers very little in the way of modern social diversity or systemic critique.

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