The Exorcism of Anna Ecklund

The film does not include any characters with LGBTQ+ identities. The story revolves around a priest and a housewife involved in a traditional religious intervention.

The story centers on a housewife and a priest, reinforcing traditional gender roles where male authority figures hold the main influence. Despite the female protagonist being central, she has little control over her fate.

The setting implies a focus on Eurocentric religious institutions such as the Vatican. There is no indication of a diverse or non-white majority cast.

The film uses Western religious structures as the primary means of order. It relies on a singular religious morality rather than exploring secular or moral relativism.

Possession serves as a plot device that might mirror neurological distress. This risks using the character's condition as a horror device rather than portraying disability.