The film lacks any evidence of non-cisnormative identities. The narrative focuses on a traditional religious intervention involving a priest and a housewife.

The story centers on a housewife and a priest, reinforcing traditional gender hierarchies. While the female protagonist is the central figure, agency resides with male authority figures.

The setting suggests a focus on Eurocentric religious institutions like the Vatican. There is no indication of a diverse or non-white majority cast.

The film utilizes Western religious structures as the primary mechanism for order. It relies on singular religious morality rather than exploring secularism or moral relativism.

Possession serves as a plot catalyst that may mirror neurological distress. This risks using the character's condition as a horror device rather than a portrayal of disability.